If you prefer to go the more traditional route, the official “Girls” Season 1 soundtrack is available for purchase at major retailers nationwide, and also on HBO’s online store.
If you prefer to go the more traditional route, the official “Girls” Season 1 soundtrack is available for purchase at major retailers nationwide, and also on HBO’s online store.
The $1,500 rent covers a room in an originally 2 bedroom but flexed to 3 Williamsburg apartment. In true prententious 20-somethings style, it’s advertised as “livable and trendy but trashy-enough-to complain-about-apartment.” And according to the posting’s authors, “living with us is essentially the real life version of the TV show,” complete with “one roommate named Hannah (for reals) with the fashion sense of a homeless kindergartener” and a “gay roommate, with a penchant for backhanded compliments.” Could you picture these as your two potential roomies? Sounds like they would definitely prove interesting…
Wondering about their description of your soon-to-be bedroom? According to the post, “it’s a room. There’s a window. What more are you looking for?” And if you want to see a picture, don’t stress because “they’re going to be instagramed.”
Also, it’s important to note that they are only looking for “Shoshanna”s or “Marnies,” and obviously “bonus points if you’re related to Brian Williams.”
Obviously this Craiglist ad must be a joke, but don’t worry…they cover that too. “You may be asking yourself ‘is this post ironic?’ Yes, yes it is.” And in true Lena Dunham writing style they throw in a funny kicker at the end, stating, “But no not really, we actually do need someone for that spare room.”
Are these Craigslist hopefuls hilarious or duds? Would you move in with them? Share your thoughts in the comment section, seriously curious to hear what “Girls” fans think of this stunt…
And last, but not least, here is a copy of the ad:
While searching on Google for more information about the show, I randomly stumbled upon the “Girls” Season 3 Production Diary on Storify.
I thought you all might be interested too! It is built on the Storify platform, which I had never heard of before. According to Storify’s website, “users tell stories by collecting updates from social networks, amplifying the voices that matter to create a new story format that is interactive, dynamic and social. Discover meaningful social media from the best storytellers online, including journalists, bloggers, editors and people like you, too.”
It is possible that this “Girls”-centered newsfeed is not created by HBO or anyone related with the show’s production, but it is still a cool thing to check out. Basically the site aggregates anything related to “Girls” that is posted on social media and posts it accordingly on its special webpage. The show has a main page, which you can access here, and also individual production diaries for two and three season. So glad I stumbled upon this cool new social media newsfeed platform/website!
On Thursday, April 4, The New York Post (followed shortly by Rolling Stone Magazine) broke the news that Christopher Abbott, who plays Charlie, will be leaving the cast of “Girls.” Apparently he was at odds with Lena Dunham and did notlike the direction she was taking the show. According to the article, “Abbott’s rep confirmed his departure, telling us: ‘[Chris] is grateful for the experience of collaborating with Lena, Judd [Apatow], and the entire ‘Girls’ cast and crew, but right now he’s working on numerous other projects and has decided not to return to the show.’ Abbott appeared in indie movie “Burma” at SXSW last month. And Dunham’s shaken up the writing staff for the new season.”
Viewers have reacted en-mass on Twitter, as Rolling Stone reports in a follow-up article, because *SPOILER ALERTS* at the end of season two Marnie and Charlie get back together. Now that Dunham has begun production for season three, how can she possibly write Charlie off of the show smoothly? The plot just won’t make sense, which presents Dunham with a rather large challenge; either she will flop and “Girls” will go downhill with the discontinuity, or Lena will somehow pull it off and continue in her golden path towards television series greatness. Only time will tell.
I don’t know about you, but this whole stint sure makesme want to catch up to the end of season two and see what happens. Perhaps it is a pr stunt? According to HBO’s published schedule, “Girls” is definitely renewed for a third season and will be filming soon. The premiere date still remains TBA, but it sure will be an interesting episode to kick off season three.
Episode 6, “The Return,” is particularly interesting because we finally catch a glimpse of Hannah’s childhood in Michigan, as the episode just follows her during her trip home for a weekend. Her relationship with her parents is explored in more detail, which is great since they were only featured for a few minutes during the first episode. Also, we are able to see the difference between how Hannah is treated by her friends from home, versus her New York crew.
While at home, Hannah bickers with her parents and broods in her room. Clearly not much has changed since we last saw her in New York; she is whiney and entitled. But the next day, we begin to see her unwind and act more confident…perhaps her lack of self-esteem has something to do with living in the city, and is not a personality flaw after all.
While running an errand for her mother, Hannah stops by to say hello to an old girlfriend from high school. She is bubbly and friendly, which leads us to believe Hannah used to be that way too. Apparently the city has hardened her. While catching up with her friend, Hannah learns that another girl from their graduating class (Carrie) went missing while on vacation, and is believed to be dead. The town is throwing a benefit to raise money for Carrie’s parents, so they can afford to hire a private investigator. Clearly this is a close-knit town, where people care about and want to help one another. Again, basically it is the complete opposite of Hannah’s dog-eat-dog life in New York.
Later, Hannah heads to the local pharmacy to pick up medication for her mother. The handsome pharmacist behind the counter recognizes her from their high school class and tries to start a conversation. At first it seems Hannah is caught off guard (someone actually being nice to her for once??), but quickly warms up to him. He is a genuinely nice guy, which is a good thing for her. To both Hannah’s and the viewer’s surprise, he asks her to be his date for the Carrie benefit that evening.
My favorite scene of the episode (and possibly of the whole series thus far) is when Hannah tells her parents about her upcoming date. As she was visiting them for their anniversary, Hannah’s parents are upset since they already all had celebratory dinner plans. Hannah responds, “I don’t really think that you guys are understanding the severity of this situation. I have been dating someone who treats my heart like it’s monkey meat. I feel like a delusional, invisible person half the time. So I need to learn what it’s like to be treated well, before it’s too late for me.” Finally admitting her unhappiness with her relationship with Adam, it seems Hannah is making great strides. She is finally honest with herself how cruelly Adam treats her and that she deserves better. I wanted to jump up and down in my living room during this scene; Hannah is finally seeing clearly, it’s a miracle!
While getting ready for her date, Hannah gives herself a pep talk. While her self-esteem has seemingly soared since she has traveled home, her confidence is still slightly lagging behind. Looking in her mirror, Hannah tells herself, “You are from New York; therefore, you are just naturally interesting, ok? It is not up to you to fill all the awkward pauses. You are not in danger of mortifying yourself. The worst stuff that you say sounds better than the best stuff that other people say.”
It appears that Hannah is a bit nervous and on edge, but thankfully she loosens up while eating pizza with the pharmacy guy. However, her awkwardness comes out in full force at the benefit, when he puts his arm around her shoulders. Poor Hannah looks shocked, horrified and like she going to cry all at the same time, which I found confusing. Shouldn’t she be happy someone is finally treating her well and respects her? Hannah ends up sleeping with him at the end of their evening out, but she is too forward and needy. It is awkward and uncomfortable to watch.
While she is sleeping in her bed after returning home, Hannah receives a call from Adam. She pretends to be nonchalant about it, but it’s obvious that she is excited…especially after he says that he misses her and wishes she were there with him. Oh no, here we go again…Hannah is going to get sucked back in. Nevertheless, the rest of their conversation is interesting. Hannah tells Adam how everyone is different in Michigan and how nice it would be to live there. “It’s like why doesn’t everyone struggling in New York move here and start the revolution,” she says. “It’s like we’re all slaves to this place that doesn’t even want us.” Prophetic words indeed; hopefully she still feels the same way upon returning to the city, and doesn’t lose the sense of self that she has gained from her time at home.
This is the fourth and final live-blogging post, reviewing episode 5.Marnie is miserable without Charlie, and is determined to get him back. She goes to the coffee shop where his roommate, Ray, works and gets their address—a hint towards how self-absorbed and selfish Marnie had been. She had never even been to Charlie’s apartment, so clearly he was putting forth most of the effort in their relationship. She argues back and forth with Charlie about getting back together, and during this the two remember how the first met.
In a flashback to their time in college, Marnie is freaking out about being “stuck to a pole” after eating pot brownies with a jello shot on top. Jessa is talking to her, asking her how she is feeling—if the music is going “wow-wow-wow” and if “it feels like her heart is going to fall out through her vagina.” In response to Marnie’s worried agreement to her statements, before running off Jessa says, “then I’m getting me one of those.” Hannah fawns over her distractedly, but ditches her when she wants to dance with her boyfriend. Not much has changed in terms of the three girls’ characteristic quirks—Marnie is still uptight, Hannah is self-absorbed and always puts herself first, and Jessa is a wild child and free spirit. Finally, Marnie meets Charlie, who hugs her and tells her everything is going to be okay.
Snapping back to the present, Charlie makes fun of the bangs Marnie had in college and tells her that he was convinced she was “the girl from sophomore sluts,” a porn video, and had to go back and watch it to see if it really was her. Marnie is horrified and caught off guard, as she didn’t know Charlie even watched porn…clearly evidencing the disconnect in their relationship.
Eventually Charlie agrees to get back together, after Marnie grovels and says she will do whatever he wants. They begin having sex, during which Charlie tells Marnie all the ways she needs to change and things she shouldn’t do anymore. It is clear that she is yes-ing him to get what she wants, and is just going along with it. But when Charlie continues with even more things and tells her to say “I love you,” she abruptly sits up and says she wants to break up. Perhaps she will now be able to figure out what she wants in a relationship and can be happy. Guess we will see next week!
This is the third of four posts, live-blogging a review of episode 5. Now, let’s focus on Jessa.
Jessa is not featured very much in this episode, but she does have a few scenes. We first see her when she is getting ready for an afternoon break from the family she babysits for. The husband of the family, Jeff, leans in the doorway of the bathroom, watching Jessa sensually put on her lipstick. They are clearly sharing a moment, but it doesn’t seem wrong until his wife, Katherine, comes home and interrupts them. All three clearly feel awkward, a hint that something was going on that shouldn’t have been.
Jessa kisses Katherine goodbye on both cheeks and makes a beeline out of there, to meet her ex-boyfriend from San Francisco at the park, who happens to be in town. It is unclear why he even wanted to meet up with her, because he talks about how much he loves his new girlfriend. But Jessa can see right past it. In just the next scene, they passionately bust into her apartment and have wild sex. Meanwhile, Shoshanna is hiding behind a curtain, watching them. She was home when they had first entered and awkwardly didn’t know what to do so she hid.
It is funny to watch Shoshanna’s shocked expressions throughout this scene, as it is clear this is her first experience with sex, even though she is not the one having it. Shoshanna’s innocence and naivety is the most refreshing, and often comical, part of “Girls.”
This will be the first of four posts, live-blogging a review of episode 5.
This week’s show picks up right where episode 4 left off. The opening scene is one of the funniest parts of the whole episode, and is hilariously quote-worthy, thanks to Hannah’s tactlessness. Charlie makes Hannah read her diary entry aloud for Marnie to hear, which starts a whole new slew of arguments back and forth between the two lovers. Like usual, Hannah is incredibly self-absorbed during all this. In the midst of their fight, she makes it all about her and interjects, “Ok, I don’t want to split hairs here but it’s actually a journal not a notebook; it’s notes a notebook, like notes for a book…I’m just saying journal implies like a thirteen year old girl who rides horses and is obsessed with her mom, and that’s not what I’m doing.” Marnie responds with a terrifying glare and Charlie loses it, leaving the apartment. Now left alone with Marnie, Hannah callously pauses a few seconds and asks, “Hey Marnie, if you had read the essay and it wasn’t about you, do you think you would have liked it? Just as a piece of writing?” Marnie does not even dignify Hannah with a response and slams the door to her room.
The next morning, Marnie seems to have cooled down a bit and the two girls are having breakfast together. Marnie resolves to win Charlie back, which Hannah scoffs at and reminds her that she didn’t seem very happy when she was with him. Marnie quips back at Hannah that she just doesn’t understand because nobody has ever loved her that much. Realizing an awkward pause and that she may have been a little too harsh, Marnie quickly adds, “…as much as me, I love you. And your dad. And your boss.” Hannah thinks about it for a second, and responds, “I hate everyone that loves me.” Though this seems like an impervious response, it is telling of Hannah’s worldview and lack of self-esteem. She doesn’t even love herself, in fact she hates herself, and therefore hates anyone who feels differently—a possible explanation of why she repeatedly takes emotional abuse from Adam and never stands up for herself at work.
REVIEW of: “Girl on Top: How Lena Dunham Turned a Life of Anxiety, Bad Sex and Countless Psychiatric Meds into the Funniest Show on TV” by Brian Hiatt. (Read an excerpt of the article here.)
Lena Dunham (writer, director and star of “Girls”) is the cover girl of this month’s issue of “Rolling Stone Magazine.” The article (by Brian Hiatt) accompanying the cover was beautifully written, delving into Dunham’s childhood, personal life and deep connection with the show. Dunham’s authenticity and honesty struck me; she did not hold anything back in this interview, even discussing her personal struggles and psychiatric medications. While this may seem like an overshare, reading about her background helps you to better understand “Girls” as a viewer. It’s not just a witty television show, but one intimately based on her life.
As a child Dunham suffered from horrible OCD and anxiety, explaining some of Hannah’s phobias and preoccupations on the show (like her fear of what “gets up around the sides of condoms” in episode 2 and her feelings of discomfort towards sex throughout the series). In the article, Dunham explains that the character Shoshanna represents her as a child. “Shoshanna is the part of me that was terrified of sex and felt a little bit left out of the group,” she said in the interview with Hiatt.
Towards the end of the article, Dunham confronts the criticism she has received from “the show’s frequent depiction of sex as awkward and demeaning.” As I have pointed out in past reviews, this aspect of the show is raw, realistic and painful to watch, but necessary.
In the article, writer Brian Hiatt is spot on about this too. He comments that while this aspect may appear “awkward and demeaning” at first, “a closer look, however, suggests that Hannah clearly gets off on being degraded (though not to the point of being peed on)—and that her relationship with [Adam works] because he’s into doing the degrading.”
Like everything else in “Girls,” this portion of the plot comes from Dunham’s personal experiences—“I had to watch out for it more in my younger days,” she said. “I also think I always have had an attraction to depicting degradation that I still haven’t worked out.”
Dunham is a work in progress and an inspiration–“following her dreams, one mistake at a time,” just like the characters on her award-winning television show.
Episode 4 is a disappointing tease; it finally seems like something good is going to happen for each character, but then things go horribly wrong.
Things seem to be improving between Marnie and her boyfriend, but then he sings a song based off things Hannah wrote in her diary about how they are wrong for each other and should break up. He storms off the stage at the song’s conclusion, clearly enraged. Marnie is shell shocked and throws her drink at Hannah, racing off to chase Charlie. Shoshanna reconnects with an old friend from camp and almost has sex with him, but when she mentions she is a virgin he bolts for the door. Jessa bonds with other nannies at the park, even trying to organize a union of child care specialists, only to realize while doing so, she lost the children.
And finally, we have Hannah. Adam “sexts” her a picture of himself, which seems like a step in the right direction towards normal couple behavior. Hannah is excited and makes a big deal out of it, even waking up Marnie and her boyfriend to joke about it. But then she receives another text from Adam, saying the picture wasn’t meant for her. She debates responding with Marnie, finally agrees with her not to write back…but then takes a picture of herself flashing the camera and hits send.
Once again, Hannah has outdone herself with pathetic, degrading behavior. While it is painful to watch, this portion of the series’ plot is important because it is relatable. Everyone has undoubtedly dated someone who didn’t appreciate them, yet they still kept coming back to them. It happens to the best of us. But “Girls” takes this dating ritual a step further, repeatedly dragging Hannah through the mud of emotional abuse and making her seem alarmingly pathetic… she just keeps coming back for more, no matter how horribly Adam treats her.
This part of the plot line seems jarring and unrealistic, because it so pitiful and heartrending. But then you start to think about it. Maybe viewing the situation as an outside observer is what makes Hannah’s decisions seem so sad and ridiculous…and maybe in the past, this is exactly how you appeared to others in a similar dating situation. Maybe you were in denial and were just as pathetic as Hannah, refusing to recognize the low you have sunk to. The thought is chilling, but this is exactly why I love “Girls.” The show raises issues like this, from the possibility of abortion to bad relationships, and makes you retrospectively consider and analyze them in a different light.
Things still aren’t finished for poor Hannah. She finally lands a job, but then becomes the target of her boss’ sexual advances. He inappropriately massages her and then cops a feel of her breasts. Hannah asks the other women in the office for advice, and they admit to putting up with his behavior for the consequential bonuses, like free iPods and gifts. It is interesting to see how Hannah is not okay with this type of treatment from her boss and balks at the women allowing it to happen, when all the while she allows essentially the same poor treatment emotionally from her boyfriend.Hannah bonds with the women at her job, telling them about Adam sending her the picture and then admitting it was for another girl. Just like Marnie and her boyfriend, the women react with horror. They cannot believe she would allow such cruel treatment and advise her to dump him immediately. You can see the wheels starting to turn in Hannah’s head, and you silently cheer for her when she is storming towards Adams door in the next scene. She tells him off, and it seems she is finally regaining her self-respect. You are so proud of her; this has been such a long time coming! …but then Adam kisses her and pulls Hannah into his apartment. And once again, Hannah is sucked back into an unhealthy relationship with Adam.
Like I said, this whole episode is such a tease. Hopefully things actually do get better in next week’s installment.