Season 1, Episode 8, “Weirdos Need Girlfriends Too”

Episode 8, “Weirdos Need Girlfriends Too” uncovers deeper information about each character on the show, but mainly Adam.  Though he is undoubtedly very weird (hence the episode’s title, I suppose), Adam becomes more of a three-dimensional character and starts to seem like a pretty nice guy. We also begin to see a bit of Marnie’s wilder side and the frustrations of businessmen living in Williamsburg. Prepare yourself, because shit gets real.

Adam talking to Marnie about her break up, uncovering his surprisingly empathetic side.

The very beginning of the episode shows Adam and Hannah lounging in bed and acting very couple-y, much to Marnie’s frustration. When all three are sitting at the kitchen table, Marnie announces how she upset and “dealing with the deeply painful fact that [she is] probably not going to end up” with Charlie. While Hannah is the first to point out how Marnie never wanted to end up with him in the first place, Adam chastises her, saying, “Hannah, don’t minimize. Shit’s really hard…When I broke up with my girlfriend from college…so sad. I lost 30 pounds and I couldn’t move or talk or get my dick hard. But it also made me go, “who am I and what do I want?” It was like boom, I know who I am. I wanted to switch majors and buy a circular saw and I promised myself that I’d follow my gut, no matter what. And I do what makes me feel good.” So apparently Adam does have feelings after all, despite the fact that he previously treated Hannah so horribly. But now it seems that he is emotional and he gets it; relationships can be hard.

Hannah accompanies Adam to his play rehearsal. It is an avant-garde two-man show, also featuring monologues performed by Adam. In one scene while Adam and his fellow actor are rowing a canoe down a river, his friend changes his lines in an attempt to be more comical (though he is painfully not). Adam gets frustrated with him for trying to sell out and passive-aggressively states, “Gavin there is a lot of complex stuff being expressed in what you wrote, a lot of pathos. Give people a chance to process that. Don’t be afraid that if they’re not laughing [then] they’re not feeling. Look, you owe it to yourself to try stripping that thing down.” His friend thinks about it for a few seconds, and calls him a hero and thanks him for “keeping him honest.” Geez, Adam is a deep thinker and quite an artist in his own right. Who knew?!

But, the immature Adam we know so well makes a return when he decides to quit the play, simply because he is frustrated with the other actor (who happened to invest $2,000 in the project, while Adam contributed nothing). Hannah seems a little taken aback and scurries off to follow Adam after he stormed out. While they are walking home, they are almost hit by a car. Adam goes ballistic and hits the hood of the car repeatedly. Hannah is even more worried and confused.

Meanwhile Marnie bonds with Jessa over Hannah’s flaky tendencies, and a whole other plot line unravels. Jessa tries to make Marnie feel better, as she has been moping around the apartment. Marnie admits that she doesn’t like being so uptight  and “sometimes being inside my own head makes [her] want to cry,” so Jessa suggests that she “get out of there for a bit.”

The two go out for drinks, where they meet a new businessman in town, who invites them over to his apartment to share some wine. Marnie is enthralled and drags Jessa along, who looks bored to tears and is outright rude to the man (who we learn is a venture-capitalist by the name of Thomas-John).

Marnie tapping into her more “free” side, with Thomas-John creeping behind them and trying to get in on the action.

When they first arrive, he seems to be just a very odd, lonely guy…but then he gets really creepy. Marnie and Jessa lay down on his carpet to listen to the music he is deejaying (Thomas-John has a hobby of creating bizarre mash-ups) and he lies next to them, beginning to touch them a bit inappropriately. Jessa quickly sits up and states this is their cue to leave, to which Marnie says no and begins kissing her, in an attempt to break out from her uptight ways. Thomas-John can’t believe this is happening to him and keeps trying to get in on the action, but they keep swatting him away. Eventually he tries to awkwardly touch Marnie’s breast, which startles her and causes her to spill her glass of red wine on the carpet. Then Thomas-John goes absolutely ballistic and launches into a rant about how they are entitled and he is basically unhappy with the world. It’s too good not to include, so here is a transcript of his angry speech in response to the spilled wine:

“Are you fucking serious? It’s a $10,000 rug. It’s a very fucking expensive rug. If you’re gonna spill on it you better look more sorry than that. You know what if you’re “very” sorry, then you better be planning to make this a very special night for all of us. Not just you and fucking “Missy Maloo,” all of us. And not just me watching you girls go at it for a bit and getting a little bit turned on. I want balls deep in something, I don’t even fucking care what it is. No more excluding me “Mary Poppins,” its not fair. I want to be part of the group…[And]do you even really know what its like to work hard? I’ve been under a lot of pressure, my whole life, to succeed. Daddy didn’t buy me this rug or this apt or this nose.  That’s not your nose, there’s no way that’s your fucking nose. There’s no cartilage in the world that exquisite. So it kind of ticks me off when I come to Williamsburg, after working hard all fucking day in the real world, and I see all these all these stupid little daddy’s girls with fucking bowler hats, what are you doing in a fucking bowler hat? It’s stupid. And then you come over and you flirt and flirt and flirt and kiss and kiss and listen to my music tunes and drink my beautiful wine and spill all over my gorgeous rug and laugh about it.”

Although some of his complaints about entitled daddy’s girls are valid (which is basically the premise of the entire show), the man had clearly lost it so the two girls made a beeline for the door.

Hannah, happy to see Adam’s return to maturity.

Finishing up the episode, Adam wakes Hannah up in the middle of the night and makes her follow him to the corner where they were almost hit by the car. A building wall is covered with sheets of paper, with “sorry” spray-painted on each. Adam explains, “Sorry I yelled at the car. I wish I could apologize but I don’t know the driver, so I guess I’m going to have to just feel bad about it unless he drives by again…[And] I’m gonna do that fucking play. I’m gonna do it so you can watch it.” Hannah seems proud of Adam’s 180 degree-turn back towards maturity, and kisses him.